The Caged Virgin (Reviewed): The Sins Of Islam

    {Media review: Carlin Romano’s article about Hirsi Ali’s new book, The Caged Virgin, is doing the rounds in the syndicated American press.} By Carlin Romano (Philadelphia Inquirer) “I do not despise Islam,” writes Somali-Dutch activist Ayaan Hirsi Ali at the outset of her first book, “The Caged Virgin,” a best seller in Europe that consolidated her reputation as that continent’s sternest critic of Islam. “I am thoroughly conscious of the noble values that the religion promotes, such as charity, hospitality and compassion for the weak and poor.” Sounds reasonable and moderate. Why, then, must Hirsi Ali live under 24/7 guard from Dutch security after years of death threats? Why did a Moroccan-Dutch jihadist murder the filmmaker Theo van Gogh, who helped Hirsi Ali make a TV documentary about Muslim abuse of women, then vow that Hirsi Ali would be next? The answer, “The Caged Virgin” makes clear, is that Hirsi Ali refuses to accept what she considers immoral aspects of the religion in which she was raised just because many Muslims are good people. Within Islam, this thinking is often deemed heresy, and in the view of some, Hirsi Ali is very heretical indeed. In her view, the chief sin of Islam is how it treats women. “In the name of Islam,” she writes, “women are subjected to cruel and horrible practices, including female genital mutilation and disownment.” A Koranic verse “gives men the right to beat their wives.” Muslim tradition allows fathers to marry off a daughter by fiat, a practice Hirsi Ali describes as “an arranged rape approved of by her whole family.” Muslim women are virtually excluded from public life, and legislation “puts women at a severe disadvantage.” The cause is what Hirsi Ali calls “tribal morality,” Islam’s obsession with a woman’s virginity. She writes, “a woman who withdraws from the virgins’ cage is branded a whore” and the “essence of a woman is reduced to her hymen.” Yet Hirsi Ali brings more to bear against these beliefs and practices than mere anger. She draws on Western champions of critical reason with stinging force: “I’d like to invite all people like me who had an Islamic upbringing” to “contrast J.S. Mill’s essay, ‘On the Subjection of Women’ (1869) with what the Prophet Muhammad has to say.” This is not pretty to watch. Muhammad, she notes, “fell in love with Aisha, his best friend’s 9-year-old daughter. Her father said, ‘Please wait until she has reached adulthood.’ But Muhammad did not want to wait.” Muhammad married Aisha when she was 9. “By our Western standards,” Hirsi Ali writes, Muhammad is “perverse” and “a despicable individual.” To Muslims who reject Western mores in judging Muhammad, she retorts, “the fact that the Wright brothers were not Islamic has not stopped Muslims from traveling by air. By adopting the technical inventions of the West without its courage to think independently, we perpetuate the mental stagnation in Islamic culture.” “The Caged Virgin” interweaves this critique with reporting on the plight of Muslim women and the author’s own history as a woman subjected to genital mutilation, beaten in her youth by a Koranic teacher who fractured her skull and bequeathed in marriage by her father to a man she’d never met — the final straw that led her to seek asylum in the West. At certain moments in cultural history, a particular book or pamphlet catches fire by taking a spark already burning in people’s hearts and minds and setting it ablaze on the printed page. “The Caged Virgin” is such a book. We live in such a moment.

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